Jeff Beck has died after contracting bacterial meningitis

Jeff Beck has died after contracting bacterial meningitis.Jeff Beck, the influential guitarist who rose to rock and roll stardom with 1960s super-group the Yardbirds and later enjoyed a prolific solo career, has died, his official website said Wednesday. He was 78 years old.A guitar virtuoso and innovator who was also one of the world’s great rhythm and blues interpreters, Beck died “peacefully” after a sudden bout of bacterial meningitis.

“On behalf of his family, it is with deep and profound sadness that we share the news of Jeff Beck’s passing. After suddenly contracting bacterial meningitis, he peacefully passed away yesterday,” a statement on the English-born musician’s website said.

“His family ask for privacy while they process this tremendous loss.”

Jeff Beck, one of the most skilled, admired and influential guitarists in rock history, died on Tuesday in a hospital near his home at Riverhall, a rural estate in southern England. He was 78.

The cause was bacterial meningitis, Melissa Dragich, his publicist, said.

During the 1960s and ’70s, as either a member of the Yardbirds or as leader of his own bands, Mr. Beck brought a sense of adventure to his playing that helped make the recordings by those groups groundbreaking.In 1965, when he joined the Yardbirds to replace another guitar hero, Eric Clapton, the group was already one of the defining acts in Britain’s growing electric blues movement. But his stinging licks and darting leads on songs like “Shapes of Things” and “Over Under Sideways Down” added an expansive element to the music that helped signal the emerging psychedelic rock revolution.

In 1975, when Mr. Beck began his solo career with the “Blow by Blow” album, he reconfigured the essential formula of that era’s fusion movement, tipping the balance of its influences from jazz to rock and funk, in the process creating a sound that was both startlingly new and highly successful. “Blow by Blow” became a Billboard Top 5 and, selling a million or more copies, a platinum hit.

Along the way, Mr. Beck helped either pioneer or amplify important technical innovations on his instrument. He elaborated the use of distortion and feedback effects, earlier explored by Pete Townshend; intensified the effect of bending notes on the guitar; and widened the range of expression that could be coaxed from devices attached to the guitar like the whammy bar.

Drawing on such techniques, Mr. Beck could weaponize his strings to hit like a stun gun or caress them to express what felt like a kiss. His work had humor, too, with licks that could cackle and leads that could tease.